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	<title>1949 &#8211; H.D</title>
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	<description>&#34;Dans la vie on devrait tout essayer sauf l&#039;inceste et la danse folklorique&#34; Christopher Lee</description>
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		<title>The Western round table on modern art 1949</title>
		<link>https://helenedelprat.com/2008/12/the-western-round-table-on-modern-art-1949/</link>
		
		<dc:creator><![CDATA[delprat]]></dc:creator>
		<pubDate>Wed, 17 Dec 2008 15:06:11 +0000</pubDate>
				<category><![CDATA[2008]]></category>
		<category><![CDATA[ARCHIVES WEB]]></category>
		<category><![CDATA[BLOG]]></category>
		<category><![CDATA[1949]]></category>
		<category><![CDATA[duchamp]]></category>
		<category><![CDATA[helene delprat]]></category>
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					<description><![CDATA[Duchamp: « You forget that the work of the artist is based in emotion and that the work of the critic is based on an intellectual translation. » Duchamp: « The collector––the real collector, the one I oppose to the commercial collectors who have made modern art a field comparable to a Wall Street affair . . . [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong><a href="http://www.ubu.com/historical/wrtma/art07.htm">Duchamp</a></strong><a href="http://www.ubu.com/historical/wrtma/art07.htm">:</a></p>
<p>« You forget that the work of the artist is based in emotion and that the work of the critic is based on an intellectual translation. »</p>
<p><strong>Duchamp</strong>:</p>
<p>« The collector––the real collector, the one I oppose to the commercial collectors who have made modern art a field comparable to a Wall Street affair . . . is, in my opinion, an artist––<em>au carre</em>. He selects paintings and puts them on his wall; in other words, &lsquo;he paints himself a collection.' »</p>
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